Books with title Bloody Country, The

“I shall take mamma’s red sun umbrella, it is so warm, and none of the children at school will have one like it,” said Lily, one day, as she went through the hall. “The wind is very high; I’m afraid you’ll be blown away if you carry that big thing,” called Nurse from the window, as the red umbrella went bobbing down the garden walk with a small girl under it. “I wish it would; I always wanted to go up in a balloon,” answered Lily, as she struggled out of the gate. She got on very well till she came to the bridge and stopped to look over the railing at the water running by so fast, and the turtles sunning themselves on the rocks. Lily was fond of throwing stones at them; it was so funny to watch them tumble, heels over head, splash into the water. Now, when she saw three big fellows close by, she stooped for a stone, and just at that minute a gale of wind nearly took the umbrella out of her hand. She clutched it fast; and away she went like a thistle-down, right up in the air, over river and hill, houses and trees, faster and faster, till her head spun round, her breath was all gone, and she had to let go. The dear red umbrella flew away like a leaf; and Lily fell down, down, till she went crash into a tree which grew in such a curious place that she forgot her fright as she sat looking about her, wondering what part of the world it could be.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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Louisa May Alcott November 29, 1832 – March 6, 1888) was an American novelist and poet best known as the author of the novel Little Women (1868) and its sequels Little Men (1871) and Jo's Boys (1886). Raised by her transcendentalist parents, Abigail May and Amos Bronson Alcott in New England, she grew up among many of the well-known intellectuals of the day such as Ralph Waldo Emerson, Nathaniel Hawthorne, and Henry David Thoreau. Nevertheless, her family suffered severe financial difficulties and Alcott worked to help support the family from an early age. She began to receive critical success for her writing in the 1860s. Early in her career, she sometimes used the pen name A. M. Barnard, under which she wrote novels for young adults.

*This Book is annotated (it contains a detailed biography of the author). *An active Table of Contents has been added by the publisher for a better customer experience. *This book has been checked and corrected for spelling errors. The Candy Country is about Lily who takes her mother's big red umbrella and ends up blown into Candy country. She finds herself going on more adventures through a land of gingerbread, cakes and cookies until ending up enjoying the land of wholesome bread. Her adventures teach her to become a good housekeeper and enjoy sweet only at Christmas time. How They Ran Away is about Tommy and Billy who decide one day to go off into the woods be become hunters. They have adventures along the way but find they are very much lost and separated from each other in the end. Two short children's stories with a moral...

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

“I shall take mamma’s red sun umbrella, it is so warm, and none of the children at school will have one like it,” said Lily, one day, as she went through the hall. “The wind is very high; I’m afraid you’ll be blown away if you carry that big thing,” called Nurse from the window, as the red umbrella went bobbing down the garden walk with a small girl under it.

Louisa May Alcott (1832-1888) was an American novelist. She is best known for the novel Little Women, published in 1868. Due to the family’s poverty, she began work at an early age as an occasional teacher, seamstress, governess, domestic helper, and writer - her first book was Flower Fables (1854). As she grew older, she developed as both an abolitionist and a feminist. A lesserknown part of her work are the passionate, fiery novels and stories she wrote, usually under the pseudonym A. M. Barnard, such as A Long Fatal Love Chase (1866). Alcott also produced moralistic and wholesome stories for children, and a semi-autobiographical tale Work (1873). In her later life, Alcott became an advocate of women’s suffrage and was part of a group of female authors during the U. S. Gilded Age to address women’s issues in a modern and candid manner. Despite worsening health, Alcott wrote through the rest of her life.

Excerpt from The Candy CountryLily rocked and ate till she finished the top of the little tree; then she climbed down and strolled along, making more surprising and agreeable discoveries as she went.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.comThis book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

The Candy Country is about a girl named Lily who takes her mother's big red umbrella and ends up blown into Candy country. She finds herself going on more adventures through a land of gingerbread, cakes and cookies until ending up enjoying the land of wholesome bread. Her adventures teach her to become a good housekeeper and enjoy sweet only at Christmas time.

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.